![]() ![]() Making the house even more outstanding is the ceiling painted by Amorsolo. Its exterior, painted sky-blue with delicate architectural details painted white, adapts the traditional stone ground floor and builds it with concrete while above it, a richly detailed wooden upper story houses the family sleeping quarters.Ĭompared to the solid bahay-na-bato of earlier years, this structure is gracefully tall, light and airy. Unlike the bahay-na-bato that is built right at the edge of the street, the Santos House is set back from the street in the American style by a generous garden and driveway. ![]() The 1933 Sabino Santos House in Malolos, Bulacan, which incorporated Victorian influences, is a lovely American-period variant of the bahay-na-bato. Now the National Museum in Vigan, the Padre Burgos House is a repository of Ilocano culture, exhibiting an excellent collection of local artifacts, furniture and lifestyle objects, including a series of 19th-century paintings by the Ilocano painter Don Esteban Villanueva of the Basi Revolt of 1807. The rest of the stone-walled ground floor was used for storage. Typical of the bahay-na-bato, the wood-framed upper level was where the family lived it would be reached through a grand wooden staircase rising from the zaguan, a carriageway running from a huge wooden entrance door on the ground floor. Located behind the Ilocos Sur Capitol (itself a worthy example of American-colonial civic architecture) in Vigan is the historic Padre José Burgos House it is an example of an early bahay-na-bato that is built smaller and closer to the ground than the later versions found in Vigan and elsewhere. “Earthquake, a constant reminder of the fragility of the environment, is addressed by the efficiency of the builders in the use of local wood-construction technology that allows the house to dance with the tremors of the earth.” ![]() “The consciously sited bahay (house) is molded by the two-season tropical climate of searing heat of the sun, humidity, rain, occasional typhoons, hurricanes and seasonal floods. THE PADRE Burgos House, now theNationalMuseum in Vigan, is an example of one of the earliest bahay-na-bato. Houses featured in this book are, as Turalba writes, “ma-aliwalas,” which indicates lightness, translucence, efficient ventilation, spaciousness without extensive physical space. Stone walls with heavily grilled openings enclose its ground floor and on the wooden upper floor, capiz windows slide open to allow light and ventilation to penetrate the interior spaces. The houses featured are all variations on the Philippine architectural archetype of the detached, rectangular house with a hipped roof covered by terra-cotta tile. The architectural thread connecting all houses in the publication is the bahay-na-bato. Geographically spread out between Vigan in Ilocos Sur and Taal in Batangas, the houses that appear in the guidebook are grand examples of surviving residential architecture built from the Spanish colonial era to the early American period in the Philippines. Tinio Jr., the guidebook “covers a sampling of domestic structures readily accessible from Metro Manila.” ![]() “Philippine Heritage Homes: A Guidebook” is a welcome addition to the scant bibliography on heritage architecture. VIGAN’S elegantQuema House is one of the few remaining in their authentic and original state. ![]()
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